Company

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I’m getting used to not being alone.

The space between things lighter,
Less weighted by my own clumsy translations.

For so long, the evenings have stretched like minefields until I tripped into bed,
Exhausted or exploded.


Now, they’re wine violet avenues and horseback sandscapes
Shuttles to Jupiter’s moons.

The past flows again free,
Through demilitarized zones and unarmed deltas,
Towards its natural destination.

This eve she rises on her rooftops like a pumped up ballerina
A wonky half moon trembles, testing its nascent powers.
A lover’s tiff risen and resolved in the length of a two hundred metre street.
Pow.
It’s a night to get things sorted in the beat of a bat wing.

You call me up, and I don’t respond right away.
Because the moon is so tender or because…. I’m in no hurry now.
I don’t need to make it right with everyone because….well,

It’s not my right.

No fingers will ever find the blame.

A young man leans from his shuttered moonlit window
For him, TV light and moonlight is all the same, except that
He clicks his best angle and makes the call
He was afraid to make that afternoon.

I want him to feels safe to speak the Truth
Like I do now.
But my thoughts for him are speechless, except that
the soft goodwill between him and I
Is bridged differently, more keenly
Now that you’re around.

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Sandaled by Shadows

I tried to remember what you said to me,

While I was falling asleep.

My days pass like dreams of other days, while

my dreams acquire a supernal reality.

 

Was I dreaming when you told me that desires are not to be given up?

It is enough to love what you already have, you said.

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I argued and you shrugged.

I didn’t disagree. I just wanted to hear your voice in the dark.

I still see your serious face, illumined by the 2 am silence,

The smoke from your cigarette swirling in the umber of the buzzing streetlight.

What I already have?

Oh yes. That.

I am starting to forget what I yearned for, all these years.

 

When you left, it was like the slow motion of a revolving door.

Goodbyes are for strangers, you said.

You cannot leave what held you like this.

There are no comings and goings here.

 

It was when you left that I realized, how very tired I was.

Tired of this perpetual surrender. 

My steps sore to bone from this road

And so I cry, to be heard again, for the earth to reach up and be my cobbler.

A thought so young and so naive, and yet….

When I look down at my bare feet, I find,

I have been sandaled by shadows.

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Notes on the keys to change…

The Bridge

Between what we

are

And what we could be

Exists

Only in

Version 2

…the Crossing

 

 

 

 

 

 

 

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The Turk at Twelve O’clock

DSCF1873 (1)On a long road in Tottenham I walk with my eyes on the drains.
With one love behind me and one more still giving me pain.
A drunken Turk heading towards me from twelve o’clock
Well at least I know how to avoid touching someone today.

My hair’s in my face and the morning is damp and unkempt

A crisp packet launches a hit to my head in a vent
A car wheel churns up the rain from last night on my shoes
With the hurricane inside me, I barely can note the event.

I’m small and he’s huge and I’m straight and he’s zig-zagging hard
He’s smiling at me through his stubble as I go on guard
I swerve to the right then the left as he mirrors my moves
I try to outwit him but he holds only trumps in his cards.

Now we are so close I can see the sweat on his brow
It seems he’s not slept and I think of his mother somehow
The size of his arms makes me wonder if he could kill me
And I notice that I want to die and I’ve broken my vow.

His arms fell around me, my sight went to black in the folds
Of his coat that smelled spirits and old milk and Marlboros and mould
We traveled through space on a comet of made out of our parts
Then he stumbled away in the grey and the past and the cold.

There are times I return to the folds of that coat and I find
Some measure of comfort in knowing the wounds of our kind
A moment of grace is just one step away from the fall
The eye in the storm only opens to those who are blind.

 

 

 

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Prophet on the 259

DSCF2034 (1) When he got on the bus, his stench was enough

For all eyes to fall footward and arms to fold inward

Sainsbury’s bags stacked between rows of cold knees planning evenings as tables for tea and TV.

“We’re all sleeping!” he cried with the mountain bus groaning

As the wheels felt the weight of his message and bearing

“Our senses deceive us! Don’t trust what you see!”

A man in the aisle nods but cannot agree,

As our suspect and prophet, with grubby beard twitching,

breaks all of the contracts with suspicious diction.

 

Mobiles raised like the shields of a leaderless army

Deflecting the spears of the obviously barmy

With silence like gravestones, like rule books, like grown ups

Wishing him only away, away

Wishing him only away.

 

“Tomorrow, tomorrow, I’ll hear you tomorrow,

Today I toil in a field of tall sorrow,

Give me some time to come around,

Give me just one more day.”

 

But he, of the barrows, could no longer contain

What he’d learned in the marrow of the cold and the rain

“You are not what you think,” he went on to explain

And the eyes, oh the eyes they went down,

Down with the strain.

 

Three stops was the time that he spent on our bus,

With we who were never a we or an us

but a jangle of shadows in a tin box of time

In North London on board the 259.

 

He got off at the stop at Seven Sisters station

To a laugh and a sneer and a sighed incantation,

And normality flew to its usual perch

As the 259 continued to lurch.

 

“Tomorrow, tomorrow, I’ll wake up tomorrow,

Today I toil in a field of tall sorrow,

Give me the gift of one more round

Give me just one more day.”

 

 

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I sat down to talk with you

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I sat down to talk with you

and as I rambled on about my day

My sleeve brushed against your shirt.

The friction was enough to send me on my way, but

One tiny muscle in my ankle was enough to make me stay.

For me to ask a thing un-scripted
Was all it took for you to hide

For you to lean towards the window,
express concern about the weather

Was all it took to keep me by your side.

 

I would have exchanged an evening with Socrates

for this, for how

you take me in your confidence

With arms so long

The ends of a long tired tree

blown together

In a late Spring storm.

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How critics of Notre Dame donors diminish the poor

rose windowAlong with millions around the world, I watched in horror as the great cathedral of Notre Dame in Paris went up in flames. Less than a week later, the donations for its reconstruction had reached one billion euros, made up in large part by some hugely generous offers by certain wealthy individuals. My Facebook feed rapidly began to fill up with posts about how the money would be better spent helping ‘the poor’ rather than on the recovery of the cathedral, which was, after all, ‘just a building’.

I was reminded of my first visit to the Taj Mahal in India. Afterwards, I wrote about the extraordinary feeling that this monument had the capacity to invoke.

But how does this atmosphere come to be? However beautiful it might be, a building cannot feel, a building cannot love, and yet love seems to flow from the Taj as scent from a flower. Is it our own minds that imbue this inanimate with sentience—a kind of emotional field formed over centuries from millions gazing upon it with wonder and adoration in their hearts? Or does the feeling come from its own side, from a purity of intention that continues to inform the very material from which it is crafted? Or perhaps it is the union of the two. Either way, the Taj speaks of a love that it’s hard not to want to believe in. A love that is immortal and indestructible. A love that can rise unsullied and undismayed from the ruins of a soul-crushing grief.

Edward Lear was one of the few writers who accepted the impossibility of describing the indescribable, declaring after his visit to the Taj Mahal that the world was now divided into two types of people, ‘them as has seen the Taj Mahal and them as hasn’t.’ The same could be said of Notre Dame. Those who have been there know—even if they can’t exactly say how—that it is far more than ‘just a building’. Notre Dame is different things to different people, and this is part of its magnetism. It is a place of worship, contemplation, and pilgrimage, an architectural marvel, an historic landmark, a testament to human artistry and a symbol of some inexpressible transcendent reality.

Although often well intentioned, I quickly became tired of the arguments that soon filled the media criticizing the donors of the Notre Dame reconstruction. They seemed to imply that poor people are only poor, that they have no aspirations or concerns beyond their own survival. Such thinking reduces people down to the sum of their most basic needs, and denies our shared capacity for awe and our equal need for inspiration. Other assumptions were often at work, such as the donors were not already involved in any humanitarian causes, and that all it takes to eradicate poverty is large injections of cash. Sure it would be nice if more billionaires were like Bill Gates—but he is rare in that he has taken the time to try to understand how successful social programs actually work, and has set his sites on more achievable goals such as the eradication of tuberculosis. Philanthropy takes many forms and the time honored role of the rich as patrons of art and culture is certainly a worthwhile one to play.

It is condescending to imply that poor people are not emotionally invested in their cultural and artistic heritage. It is also patently wrong. If the Taj Mahal were damaged in some catastrophe, every Indian would feel personally affected and contributions would stream in from every quarter, from poor and rich alike. And although the media is presently focused on massive donations from the super-rich, there are also countless donations being made by ordinary people not only from all over France, but from all over the world. When tens of thousands of Tibetans fled Tibet in the wake of China’s invasion in 1959, many of them ended up as road workers in India’s Himalayan regions—one of the toughest jobs imaginable. And yet, almost all of them contributed some small amount of their already meager wages to support the building of a library to house the Buddhist texts that had been smuggled out—and this at a time when the basic needs of the Tibetan exiles had barely begun to be met. You can see the plaque honoring the contribution of these road workers today in the Tibetan Library in Dharamsala.

I’m sure that some poor people are upset about the amount of money being channeled from the wealthy to the reconstruction of Notre Dame. Certainly groups that claim to represent the poor are getting riled up. But nobody ever seems to ask the poor what they think. The people I see getting upset are the moderately comfortable who, in their eagerness to signal their concern for those less fortunate, manage instead to diminish them.

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I know a man who sleeps so much

I know a man who sleeps so deep
Each morning is a Jules Verne
Return

Where tentacles squeeze and suck around his will
At every league he seeks to rise

fleeting

For even one eye to half open
Is a journey fit for Ovid’s prose

Every full-eyed awakening
A campaign to puzzle Sun Tzu

Until the sun reaches far enough to find him

A stunned collapsed Ulysses
Sipping coffee half upright
On a battlefield of pillows.

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To the love that could not love me

To the love that could not love me
Enough

I now hold you close
like a flower in a storm

Enoughguest

It was enough
That we endured

Until we fell so beautifully apart

Until all I was holding
Was the storm itself

Rising and falling

Calling us both

To the same horizon.

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Le coeur innommable

Il y a des moments comme celui-ci
Quand le coeur dit des choses innommables…
Il transmet ses secrets dans des changements inattendu dans le vent
et dans les sons de vieux combats dans une langue perdue.
C’est à des moments comme celui-ci
que le mot ordinaire tombe comme une brique de plomb,
mais si vous attrapez mon regard,
vous savez que vous y êtes déjà allé.
me sad
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