scaffolding and the citadel

You will never know
How much your dreams we make
The scaffolding to
Your citadel.

How little we think you feel
Of our cameraderie
But truth be told our dreams are yours
Side by silent side
And when you so casually discard us
We take the hit
In sake, the holy bonds of architects.

Who can tell
How the citadel was built?
You in glory
We below.

And when you sit
Serenely in your spire
Take a thought
For those, as us, discarded
To be re-used again
For future dreams of yours.

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how could the house not come down?

Your exit
Was Olympian, in the original sense
History, in the making.

How could the house
Not come down –

How could the house
Not come down –

After you left it so exquisitely
Behind?

And how you turned your retreat into wisdom
In a way that Plato himself could not ignore,
A thousand hands clap in your direction
And who am I to say it’s not deserved?

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Square of sunlight

DSCF3027I felt you watching
Me, making paper planes from the silence.

I tried to scratch a square of sunlight off my pants.
You said,
“You should write a poem about that.”
I said, “Sounds like a shit poem.”

But I did it anyway
Just ‘cos I want to remember
And I was right

And so were you.

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The difference an age makes

subincontinentia's avatarsubincontinentia

tiara2 You’re in your early 20’s sitting with friends, having lunch in a gastro pub somewhere along the Thames River. Swans are idling by. The chardonnay is flowing. You’re in the middle of a funny story. You have everyone’s attention. A commotion erupts from just outside your line of sight. You try to continue, but the darting eyes tell you you’ve lost them. You turn to see what has interrupted your moment. It’s a middle-aged man, careening from table to table, moaning out the lyrics to ‘The Wind Beneath my Wings’. He’s smartly dressed in an indigo business suit. His hair is awry. He stinks of gin and cigarettes. He gets to the line ‘I can fly higher than an eagle’ and stumbles to the ground, legs splayed open across two over-turned chairs. Gasps of horror all round. He pulls himself up and lurches towards your table. Everyone recoils, including you. The…

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Playlist ‘the epocheable’

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The unforgettable Mr Sharif

Sharif7I boasted among men that I had known you.
They see your pictures in all works of mine…
I put my tales of you into lingering songs.
The secret gushes from my heart.

Rabindranath Tagore

Mr. Sharif parted the crowds on the platform of Jaipur train station like the Red Sea. Maddy and I had staunchly forged our way past the “money mosquitoes” as Mr. Sharif later referred to the hopeful gaggle of drivers and hotel wallahs that hovered around us. To hesitate was a sign of weakness; to stop was complete surrender. But Mr. Sharif moved with a focused grace; relieving us of our bags, launching them into the open trunk of his black and yellow Ambassador, and flicking open the back passenger door in a single seamless gesture. I’d been told that our hotel was fifteen minutes from the station. I was already visualizing a warm shower, a soft mattress, and a generous shot of the Scotch whiskey that I knew Maddy had stashed in her travel case. Mr Sharif carefully adjusted the rear view mirror. He was dressed in the standard uniform—black trousers/white shirt—of waiters and drivers, Arabica-coloured eyes gleaming beneath a prominent groomed hairline, a dash of grey at the sideburns. He was only 29 I learned later, but he looked closer to 35. Absent was the well-worn expression studiously designed for the foreign tourist, cheerfully resentful and wearied by repetition. Mr. Sharif was fully engaged. I’m sure he had said it all a thousand times, but somehow had not lost enthusiasm for the delivery.
“See the book beside you?”
Between us on the seat lay a worn hard-backed notebook with red cotton binding—the kind found in every schoolchild’s backpack.
“Please read the last thing inside.”
I complied with an internal sigh, wondering what the scam was this time. Using the light of my mobile phone, I began to read. The writing was elegant, old-fashioned. My wife and I are eternally grateful to Mr. Sharif for all his kind assistance…
“Please read speaking, Madam.”
My internal sigh almost achieved audible capacity as Maddy gave me a we’re not going anywhere until you comply kind of look.
I cleared my throat.

“My wife and I are eternally grateful to Mr. Sharif for all his kind assistance on our first visit to Jaipur. In his capable hands we explored the fascinating historic sites of Rajasthan for two glorious weeks. His knowledge, integrity and concern for our welfare, but above all, his generous company, will be warmly remembered in years to come. You who are reading this are lucky to have him in the driver’s seat. With much appreciation, Arnold and Bessie Wahlberg from Oklahoma.”

Sharif1When I looked up, Mr. Sharif’s eyes seemed to have percolated an extra shine. It was then that a penny rather long in the dropping, registered that this must be the first time he had heard what the Wahlbergs from Oklahoma had said about him. It was quite likely that he didn’t read English, and certainly not Mr. Wahlberg’s elaborate cursive. By way of this ingenious method, Mr. Sharif accomplished a dual benefit. He learned what his last customer had said about him, and impressed the new customer with this knowledge. It was a leap of faith on his part, for he had no idea in advance the substance of the most recent entry. But that was likely part of what kept it interesting. Mr. Sharif believed in himself and was very much his own man.

It was two days before we saw Mr. Sharif again. Properly stimulated by India’s literati at the Jaipur Literary Festival (with inevitable discussion over how exactly racist was Rudyard Kipling—a less ponderous exercise if he hadn’t muddied the waters with the poem We and They), we had a few spare hours for shopping and sightseeing before our bus headed back to Delhi. He seemed genuinely happy to see us, and was patiently attentive, though clearly amused, by our rambling discourse about where exactly we wanted to go. He was immensely likable, and took no advantage of our indecision to whisk us off to his third cousin’s pottery factory.

Sharif12After an extended period admiring the handiwork of  pillow cases and bedspreads in one particularly well-stocked textile shop (and having been talked into buying more than either of us felt we could afford) Mr. Sharif took us to lunch at what he assured us was the “very special best” restaurant in Jaipur. The place was an unadorned canteen-style concrete square on the first floor of a tatty shopping block. But being seasoned veterans of India’s commonly inverted relationship between ‘upscale’ and ‘delicious’, Maddy and I remained optimistic. When the vegetarian thalis arrived – the masterful blend of colour and spices with the piping garlic nans, a succulent buttery shine between heat-bubbles perfectly browned, grabbed our helpless appetites and spun them into a rumba. We began to politely ease the nans apart, but after the first mouthful, all decorum had been tabled, and we were ‘ripping and dipping’ like starving babies. Mr. Sharif launched into a story about his childhood. I glanced up at him over my spoon every now and then, to give what I hoped passed for an ‘I’m listening’ nod, but the contents of the little silver plates before me held my attention far more firmly than Mr. Sharif’s reminiscences. Though this was about to change.

“When I was twelve, my family moved to the city so my father could find work. He had been a farmer before, but things hadn’t gone well. In Jaipur, he couldn’t find any work. We were so poor, we could barely afford to eat. I used to hang out near my uncle’s chai stall near the Jaipur post office. I liked watching the foreigners. They were so interesting to me. One day, an American man and his wife came with some textiles they wanted to send back to the US.

Sharif4I noticed that they were having a lot of trouble figuring out how to wrap it and fill out all the forms, so I offered to help them. I took care of that parcel and a few others for them over the next couple of days, making sure it was properly stitched up in white cotton by the local tailor and addressed in black marker pen. On their last day, the man shook my hand and thanked me. He pressed some money into my hand. I didn’t know what it was so I took it to my uncle at the chai stall. He said it was fake and that it was worthless. I began to cry. I was so upset that after everything I’d done the man had given me fake money. I hadn’t even asked him for a fee. I would have done it all for nothing. But fake money? I was so angry I ran home. I didn’t want to see any more tourists that day. My other uncle was in the house and he asked me what was wrong. I showed him the note.
“This isn’t fake,” he told me. “It’s $100”.
I almost fainted. I got the money changed into rupees and I wrote down on a piece of paper exactly what I was going to do with it. I bought rice and daal and other tinned food to last my family for three months. I bought my mother a new sari. I gave my father enough money for one month’s rent. The rest I kept for myself.

Then I stationed myself outside of the post office, and whenever I would see a tourist, I would offer them my help. I did this for a whole year. One day, an American woman asked me to help her to send a package home. After I helped her she came and sat next to me. She asked me all about myself and my life. I found her easy to talk to. Then she told me she wanted to see something of Rajasthan, beyond Jaipur. I told her that I knew many beautiful places to visit, and she asked me if I would be her guide. I said, “Of course I will.”

I barely knew how to drive, but my uncle lent me his car. Her name was Jenny. I told her about the Western deserts of Jaisalmer, how black the night sky is there, how bright the stars shine. She said, “Okay, let’s go there.” On the way she asked to stop at a Beer & Wine shop. She bought some beer and drank it in the car. She offered it to me but I didn’t take any. I’m a Muslim, and we never drink. She got quite drunk that day and at one point she cried. I think she had some troubles.

sharif20When it was getting dark, she asked me if I knew a hotel nearby. I told her that I could take her to my uncle’s guesthouse” (Mr. Sharif seemed to have an endless supply of uncles). “I was very happy. I told her that I would make her mutton for dinner. It was my most famous dish. Like gourmet style. Everyone loved it when I made mutton. When we reached the hotel, she said she wanted to walk to the market to get some more beer. I went into the kitchen and began to prepare our dinner. By eight o’clock it was ready. But she didn’t come back for dinner. I watched it turn cold. I couldn’t eat any of it. Finally, I threw it to the dogs. I didn’t know where I was supposed to sleep, so I crawled into the car with a blanket. She eventually came back around eleven on the back of a motorbike. The driver was a young man from the village. She took him into her room and closed the door. That night I didn’t sleep a single minute.”

Maddy and I were nodding and emitting the occasional “hmmm” and “aha” to show that we were listening–though truthfully we were more concerned in getting as much daal as possible onto our nans and getting the whole to our mouths before splodging it across the table. But I admit that by now I was getting intrigued. Mr. Sharif was a consummate story teller. It was like he was reliving every word.

Sharif6“In the morning she came out and asked if I wanted to take a shower in her room. The man must have left already. I couldn’t look at her. I didn’t want her to see that I was crying. She kept asking me what was wrong. Finally, I couldn’t stand it any more. I shouted, “I spent the whole night cooking mutton for you. I had to throw it away. I cooked it especially for you! Now it’s all ruined!” I could hardly speak through my tears. She was standing directly over me. Her hair was golden and the sun shine on her blue eyes, ahhh so beautiful. Then she looked at me for a long time without saying anything. I kept crying and going on about the mutton. Finally, she said, “Come with me.” She took my hand and led me into her room.”
Mr. Sharif paused while my head arose from the daal, the last piece of nan dangling in thin air. Maddy was in a similar state. Both of us staring at Mr. Sharif in amazement.
Then what?”
Mr. Sharif put his chin in his hands and shook his head slowly as if he himself could hardly believe his own memory.
“I did not see the sun for five days.”

Sharif5Maddy’s eyebrows were levitating ever higher up her forehead.
How old were you?” she asked.
“I was fifteen.”
“Was that ….erm…?”
“Yes, it was. My first time.”

He was not about to elaborate, which made it all the more compelling. There was nothing rude or lascivious about him, or the way he shared his coming of age story. It was all very natural and deeply human. I wondered who else he’d told; and why us, why today. Perhaps because he sensed we wouldn’t judge him or think he was trying to pick us up. I could picture it all so easily. Little Mr. Sharif, crying into his mutton. I was intrigued by this mysterious woman, somewhere in her thirties and her decision to be the leading lady in the carnal rite of passage for this romantic entrepreneurial teenager from Rajasthan. I could see him entering her room; a besotted boy, wiping away his tears. And coming out a man.

“That began something in me. I was never the same. A year later, my parents arranged my marriage to a local girl. I’d known her for some time. She was lovely. I liked her a lot. But I knew I would cheat on her. I told her I could never be the husband she deserved. She was very understanding.”
“So you never got married?”
“No. Never.”
“Don’t you get lonely?”
“Of course. But I decided that I’d rather be lonely than be dishonest. You see. I only can be with foreign women now.”
“Isn’t that difficult?”
Mr. Sharif laughed.
“Yes, it’s very difficult. But a year later, when I was sixteen, I met a girl from Germany. She was much younger than Jenny.”

Sharif13Maddy and I’d had this vague plan to visit Jaipur Palace, as one does. My Delhi neighbor, Tsering, had insisted that I see the imperial Moghul harem where, according to legend, the concubines and their lovers bathed in hot milk laced with hashish. But Mr. Sharif was far more entertaining than the ruins of an ancient harem. I could see by Maddy’s face that she was in full agreement. Mr. Sharif did not disappoint.
“She had gone through a crazy time, this German girl. I think she was a little crazy. She was in a hospital in Berlin. She couldn’t stop cutting her arms. She had tiny scars all over them. Someone told her she should go to Varanasi to find a guru. When she got there she met some saddhu and asked him for a mantra, or some meditation she could do, that would help her when she felt crazy. But instead of giving her a mantra, this saddhu told her she needed ‘man energy’.
“Man energy?” I intercepted.
“Yes. And he told her she would find it in Jaipur. So, she came to Jaipur.”
“And?”
Mr. Sharif smiled.
“And we stayed together for some time.”
He was not interested in bragging about his sexual exploits as would many other young men who had found themselves in this enviable position.
“And how many days did you not see the sun this time?” Maddy piped in.
“Seven.”
sharif30I was a veteran of tall tales, but this was for real. I knew it down to my shoes.
I couldn’t help emitting a soft “wow”.
Maddy was less restrained. “Seven days!?” she exclaimed.
“Yes. She told me I must have Mughal blood!”
Mr. Sharif looked momentarily shy at having succumbed to a boast.
“And did it work? I mean did she get better?”
“Oh, yes. She was fine after that. She seemed very happy.”
“How did you know she was happy?” I ventured.
“She was peaceful and she smiled all the time.
“And were you happy, Mr. Sharif?”
“Oh yes. I was very happy. For a while. She taught me a lot. We stayed in touch for a few months after that. I loved her very much.”
“Do you mind if I write your story, Mr. Sharif? I think people would be interested to hear it.”
“I don’t mind at all. I have nothing to hide. But you must promise me one thing.”
“Sure,” I said, leaning in a little.
“Don’t say the name of this restaurant. I don’t want it to…you know, get ruined.”
“Like the mutton.”
Mr. Sharif threw back his head and laughed so his belly shook.
“Yes, madam. Like the mutton.”

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For rent

roomLovely room for rent in upscale third floor flat in sought after area of West London. We are seeking an averagely attractive*, well-dressed single female heterosexual professional tenant aged between 30 and 33 (passport ID required for age verification) for long-term tenancy. Part-time employees, students, those on benefits, or anyone who shops at Primark should not apply. Prefer tenant on regular overtime or packed gym/volunteer schedule for minimum household impact. Eaters considered but with preference to microwave-users. Not requiring heating or use of washing-machine is a plus. We are a popular, good-looking couple (PhD graduates) with interests that include talking to our friends about how great we are and taking ‘selfies’. The ideal tenant will not engage in conversation except to compliment our taste in home furnishings. The lucky candidate will be tidy, easy-going and silent before 7:59 pm and after 8 pm. Occasional muffled sobbing allowed (within reason). No phone calls after 6 pm. No guests in room. No smoking, music or pets. Three months rent plus life savings. References required (plus one celebrity endorsement). Please send a double-spaced 1000 word essay on why you think you deserve to live with us and include a recent photo.

*non-threatening to monogamous females.

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A dictionary of suffering

acedia

‘Acedia’ by Trevor Lightsy

Acedia is a state of torpor and indifference that leads to a lack of concern with one’s own condition or status. From the Greek for negligence, it is a kind of apathetic self-neglect. It involves not only the neglect of one’s ordinary duties or chores, but also a disinterest in one’s spiritual duties or practices. Acedia is a common facet of the larger state of depression.

This is not only when you stay in your house slippers all day, you turn up to interviews wearing them. In Christianity, acedia is a synonym for ‘sloth’ and is one of the Seven Deadly Sins, linked to the proverb “Idle hands are the devil’s workshop”. In the painting, ‘Acedia’ by Trevor Lightsy, we see a woman who is so immersed in this state, her will is being gradually encroached by opportunistic sinister powers.

alienation

“The Alienation” by Canaan Sadri

Anomie is a term coined by the founder of sociology, Émile Durkheim. It refers to a condition of what he calls ‘deregulation’ – a breakdown of the social contract between the individual and the wider community, often instigated through sudden social change. This condition in which people no longer know what to expect from one another, generates a sense of alienation that can lead to deviant behavior. It involves the disintegration of social identity without any compensating personal agency. On its own, it can lead to a kind of social nihilism and subsequent disdain for ethical codes of conduct. It is linked to ‘Strain Theory’ which states that social structures within society may pressure citizens to commit crime.

ImpermanenceStudyNo.17Dragonfly

“Impermanence Study” by Iskra Johnson

Dhukkha is a Pali Buddhist term usually translated as “suffering” but also as “unsatisfactoriness” and refers to the general condition of all existence as changing, impermanent and without any inner graspable, controllable core or substance. Dukkha is commonly explained according to three different categories: manifest suffering, the suffering of change, and pervasive suffering. A primary concept in Buddhism, the Buddha is reputed to have said: “I have taught one thing and one thing only, dukkha and the cessation of dukkha.” The first teaching the Buddha gave presents dukkha in the keystone of the doctrine of the Four Noble Truths: recognizing the reality of dukkha, what gives rise to dukkha, that dukkha can be brought to and end, and how this can be achieved.

ennui

‘Ennui to Apathy’ by Casey Kotas

Ennui is a kind of pervasive boredom, a lack of engagement or interest. A spiritlessness, lassitude and enervation borne of a lack of occupation or enthusiasm, often with existential overtones. Ennui is well described Sylvia Plath’s poem of the same name, which begins; Tea leaves thwart those who court catastrophe, designing futures where nothing will occur:
cross the gypsy’s palm and yawning she
will still predict no perils left to conquer.


Mal du siècle
 from the French meaning “the malady of the century” is a kind of trending ennui. It refers to a general state of boredom and disillusionment that primarily affects the youth, and which spreads through becoming inculcated into a subset distinguished by a fashionable malaise. Mal du siècle as a term was originally applied to young adults of Europe’s early 19th Century and the rise of the Romantic movement.

MELANCHOLIA

“Melancholia” by Daniel Pielucha


Melancholia
is a kind of pervasive morose sadness and can be described as a state of mild to moderate depression characterized by low levels of enthusiasm, interest and vitality.

Mono no aware is a term coined by the 18th century Japanese cultural scholar, Motoori Norinaga. It is variously translated as “the pathos of things”, “an empathy toward things”, and “a sensitivity to ephemera”. It is characterized by an acute emotive awareness of the innate transience of life and the world. This feeling is attended by a poignant wistfulness at the passing of things and a tender melancholy about the inevitability of this universal condition. It is related to the Japanese concept of wabi-sabi, an aesthetic centered around impermanence, imperfection and incompletion inspired by Buddhist thought.

OLYMPUS DIGITAL CAMERA

“Saudade” by Jason Cytacki

Saudade is a Portuguese word for a deep state of yearning for something or someone; a profound experience of absence. It often carries a deep sense that the object of longing may never return or may one day be lost. It involves strong nostalgia of time and place; attachment to memories of past experiences of love and well-being that in the present evokes mixed feelings of happiness and sadness combined with a sense of missing. One can have saudade of someone whom one is with, but experience this nostalgia as a projection of a future loss. It manifests as a ‘vague and constant desire for something that does not and probably cannot exist, for something other than the present, a turning towards the past or towards the future; not an active discontent or poignant sadness but an indolent dreaming wistfulness.’

SEHNSUCHT

“Sehnsucht” by Nicolas Balcazar

Sehnsucht is a German term very similar to saudade that involves a profound emotional state of “longing”, “craving” or “intensely missing”. It’s object is rather less specific and more philosophical, being directed to all aspects of life that are ‘unfinished or imperfect, paired with a yearning for ideal alternative experiences.’ It has been called “life’s longings”; a person’s search for happiness while grappling with the reality of unattainable aspirations.

baker_sturm-und-drang

“Sturm und Drang” by Kristin Baker

Sturm und Drang  is a German term literally meaning “Storm and Drive”, though sometimes translated as “Storm and Urge” or “Storm and Stress”. It was a proto-Romantic movement in German literature and music in from 1760s to 1780s that exalted personal feelings, nature and individualism and encouraged free expression of emotional extremes ‘in reaction to the perceived constraints of rationalism imposed by the Enlightenment’. It often involved an ‘individual’s revolt against society.’ The movement’s inherent rejection of self-discipline disallowed any formal continuity and led to its demise.

weltschmerz

‘Weltschmerz’ by Talat Darvinoğlu

Weltschmerz is a German term that means “world pain” or “world-weariness”. It is related to sehnsucht though with more philosophical overtones. It denotes a feeling of someone who understands that the external world cannot ever match the ideal of the imagination. It also denotes the sadness in face of cruelty in the world, and a painful awareness that the cause of this cruelty is the obstinate imperfection of the world itself. This word is the hay of the romantic poets. It does not necessarily inspire apathy and depression but may lead to such, as illustrated by the handy noose under the chair in this work by Talat Darvinoğlu.

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The spam of loneliness: all I need from you

This poem is another made up of fragments cut from twenty-five spam messages I received from January through March 2014 and is part of a series. Our humanity is when we reach for each other. Even just someone to lie to.

You do not know mespam
But I am compelled

All I need from you…

An old account
Kept in a secret place
Are you the friend of my father?

This will come as a surprise
It is understandable

All I need from you…

An uncontrollable crisis
You must have heard
My life no more protected
The only son

At such a turning point
One has to risk confiding
the language of friendship

A deadly bomb blast
Such wild destruction
A huge sum of money
Lost by fire

Dearest One
I need to confirm
In the name of Allah
Are you dead or alive?

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The piano extremist: maestro of Euromaidan

piano extremist

The self-styled “piano extremist” plays on the roof of a burned “Berkut” bus near the barricade across Hrushevskoho str. Kiev (WikiCommons)

He calls himself the “Piano Extremist”—his real name is unknown. He disguises himself with ski masks and combat gear. But though he is dressed up for a fight, this young man has for months now been performing lyrical recitals on old uprights for Kiev’s battle-weary Maidanites. Impromptu musical performances have become popular during the Ukrainian protests, but this mystery pianist has become something of a musician laureate for Euromaidan. He has played in the battle zone of Independence Square, on trailers coursing the ragged barricades around the city, and on the roof of a burned out bus of the “Berkut” – Ukraine’s feared paramilitary militia.

The only thing he’ll say about himself is that he’s in his 20s and studied at a music college in western Ukraine. “My music shows that the people here are normal, educated people,” he told Reuters. His moniker refers to the use of the term “extremist” by Interior Minister Vitali Zakharchenko to describe anti-government protestors. There are photos of him with sheet music folded into his flak jacket. He favours the music of Italian composer, Ludovico Einaudi, best known for his score for the movie Dr. Zhivago. He wears a silver ring on his wedding finger.

The Youtube link reads: Video was made under walls of KMDA 24.01.2014 on Euromaidan. Outside is 15 degrees below zero. Sorry for low quality…

KMDA is Kiev’s City Hall, which became a rebel HQ in December until the occupiers vacated this and other government buildings in a conciliatory move on February 16th. The amateur footage is deeply evocative of what freedom means, emphasized by being so poorly lit; something powerful enough to move the hearts of millions, yet always dancing on the threshold of vulnerability. As he plays, people slowly gather around his piano as if around a hearth, listening in respectful silence in the cold uncertain night.

In this recital a beer in a plastic up sits atop the piano while he gently feels out the keys through a ski mask, gloves and fatigues. He nods to a young girl standing next to him to signal when to turn the page.


This footage (below) was taken at a dimly lit Ukrainian House on January 26th. Ukrainian House is Kiev’s most prestigious Convention Centre, right on European Square, 250 metres from Independence Square. A few hours before, anti-government protestors had fire-bombed and taken over the building that police had been using as a stronghold. After two days, the Ukrainian parliament offered concessions and repealed anti-protest laws, only to resort to a brutal crackdown on the demonstrators two weeks later.

The “piano extremist” has exchanged his ski mask for a more protective motorcycle helmet. As he plays Einaudi’s “Divenire” the camera pans around to show a woman perched at his side, the Ukrainian national flag, a few people quietly scattered among the theatre style seats. Normally this place is host to prestigious trade fairs, award-winning exhibitions and fancy banquets. Earlier that day it had been a war zone. But on this Sunday evening, just one among Kiev’s troubled calendar, it’s a few pairs of ears, a flashlight and this guy –reminding us all of the things worth fighting for.

http://www.youtube.com/watch?v=QHNVWWhyJdg

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